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Norway may be the cradle of second-wave black metal, but the country also boasts a small but fine thrash scene with internationally recognized acts such as Nekromantheon, Inculter or Blood Tsunami. Enter Maltuka from Bergen, a new rising force within the genre set to go places with their four-track debut EP “Black Rite”. Guitarist/singer Viljar Brunvoll and drummer Mats first collaborated in 2016/17, recording two EPs and playing several shows as members of Psykopath. When that band dissolved, the two continued working together on demos, which eventually gave birth to Maltuka. “Aside from our own desire to play thrash metal,” says Viljar, “we believe the Norwegian scene has room for more variation. We also like to think we bring something fresh to the table—our own sound and expression—while still paying homage to the classic elements of the genre.” With influences ranging from usual suspects such as Metallica or Slayer across Nuclear Assault to Teutonic legends Sodom as well as Maltuka’s corpse-painted countrymen Immortal, the members indeed manage to give the tried and tested thrash formula an individual twist. Lyrically, “Black Rite” explores spiritual and occult themes, adding depth and atmosphere to the music. Although a track like ‘Xolotl’ draws from Aztec folklore, Viljar notes: “We’re not a band with a clear-cut message. The lyrics are meant to complement the music.” The EP’s cover art, which is based on a painting by Kim Diaz Holm (Sólstafir, Vreid), visually represents the dark themes of the songs. And while they serve as an introduction to Maltuka’s sound, the group has ambitious plans for their future. “This EP showcases our heavier, more to-the-point style of songwriting,” Viljar concludes. “Our eventual first album will be more dynamic, featuring a broader range of influences and sounds.” With “Black Rite”, Maltuka make a bold statement, offering an original take on thrash metal while also celebrating its roots. The band is ready to make its mark on the global metal scene, and this is just the beginning. ANDREAS SCHIFFMANN |